英语本科毕业论文(文化类)ananalysisofthemusicandpaintingcharacteristicsinthemarkon(编辑修改稿)

英语本科毕业论文(文化类)ananalysisofthemusicandpaintingcharacteristicsinthemarkon(编辑修改稿)内容摘要：

e won39。 t be in a condition to do for fifty years or so. There will be nothing but spaces of light and dark…rose shaped blots of an indistinct color dim pinks and blues (Virginia Woolf, 20xx:6) Readers are flying in the thick smoke nothing can be see, they wre blind, they were in stationary, they couldn39。 t move, being unable to think so Virginia lead them a way as time goes on, bee more definite, bee I don39。 t know what.... (Virginia Woolf, 20xx:6) She has no idea either. The third layer seems to be more misty. However, with the story further going on, Woolf continues his painting. On the forth layer, Virginia leaves readers a way to wake up their minds. The mark may even be caused by some round black substance, such as a small rose leaf, left over from the summer(Virginia Woolf, 20xx:7) The rose leaf bees the substantiality on this layer but unfortunately,a shower of ideas fell perpetually from some very high Heaven down through his mind.(Virginia Woolf, 20xx:7) He is Shakespeare as well as Virginia Woolf. Virginia borrowed Shakespeare’s mind to think since man has more freedom in the sea of wild thoughts. But no matter who is the principal figure, the picture is totally visional. There is not one reflection but an almost infinite number, those are the depths they will explore, those the phantoms they will pursue, leaving the description of reality more and more out of their stories”, Virginia has already driven us to a phantom world by the single mark. Following her thinking process, readers tried hard to taste the flavor of Virginia39。 s illegitimate freedom”. In this sense, she is such an excellent painter using skill of sfumato that time and space have been cancelled, and readers traveled from the first layer to the following unconsciously, and they really don39。 t know how this journey continued. The skill of sfumato is also used to make a planar object tridimensional and that is why on the fifth layer, in Virginia39。 s eyes, the mark seems actually to be projected from the wall since nor is it entirely circular but it does no good to make sure something after came to visit tombs and taste the sweety cherry jam(Virginia Woolf, 20xx:8), then readers would face the fifth mental break down: I really don39。 t know what. No, no, nothing is proved, nothing is known. Virginia is in another round of struggle with her own mind. She is still overlaying translucent layers of color to create perceptions of depth, volume and form and there is still no outlet of her plicated mind. Since the painting es to the final layer, no matter how deep colors and tones are,a result of her great mental work must be shown. I must jump up and see for myself what that mark on the wall really is a nail, a roseleaf, a crack in the wood? (Virginia Woolf, 20xx:7) Ultimately, what is on the wall will be unveiled. While before she stands up, her minds always go faster than readers could imagine. The song of birds and their diamondcut red eyes is full of peaceful thoughts, XXXX 本科毕业论文 happy thoughts.... (Virginia Woolf, 20xx:7) But Virginia39。 s painting could never be such easy and she asks herself Where was l? What has it all been about? A tree? A river? The Downs? Whitaker39。 s Almanack? The fields of asphodel? I can39。 t remember a thing. Everything39。 s moving, falling, slipping, vanishing.... There is a vast upheaval of matter. (Virginia Woolf, 20xx:9) As a result, the roof of calmness has been smashed again and she couldn39。 t find a way out of her own conflict again. She needs some exoteric forces to help her finding the way for her subtle mind. I’m going out to buy a newspaper. (Virginia Woolf, 20xx:12) Virginia has been interrupted at last. Ah, the mark on the wall! It was a snail.(Virginia Woolf, 20xx:12) The result es out. It is not easy to conclude that the mark is a snail for nobody knows how things bee what they look like at last. Da Vinc i39。 s colors are over layered for many times so experts can39。 t be sure whether Mona Lisa is smiling or not, and similarly Virginia describes the mark and her uncertainty for several times so it couldn39。 t bee the snail in a sudden. Readers try to see through the smoke to get to the heart of Virginia39。 s work but the use of Sfumato makes the story a shy girl wearing a veil. Consequently, it is only a full stop for Virginia39。 s story, and she has only been interrupted. It is not a full stop for her floating thought so the following time is in the hands of her readers who could continue to appreciate the magical glamour of Sfumato used in The Mark on the Wall. B. The Detailed Painting Skills Used in the Story a. The Skills of Impressionism Impressionism is a 19thcentury art movement that begins as a loose association of Parisbased artists exhibiting their art publicly in the 1860s. Characteristics of Impressionist painting include visible brushstrokes, open position, emphasis on light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, the inclusion of movement as a crucial element of human perception and experience, and unusual visual angles. Just as Mona39。 s paintings, he painted the same haystack form different angles, then the different changes the sunlight made were on the canvas. The emergence of Impressionism in the visual arts is soon followed by analogous movements in other media which bee known as Impressionist music and Impressionist speaking,when people talk about modernism painting ,they always start from Impressionism. When people talk about modernism literature, they always pay much attention to stream of consciousness writing. Both of them are the forerunners of modern arts. Stream of consciousness writing is a special mode of narration that undertakes to capture the full spectrum and the continuous flow of a character39。 s mental pr。